Faith is the Basis of All Great, Active Enterprises

Faith is the basis of all great, active enterprises. If a man cannot think well, nor write well, without faith; so in all difficult enterprises, which imply physical as well as mental effort, he cannot act well. Without faith there would have been no Parthenon, and no Pyramids of Egypt. Without faith there would have been no Thermopylae, and no memorable Marathon. Hannibal could not have passed the Alps without faith. Cincinnatus could neither have ploughed nor have left the plough; could neither have sowed for the harvest, nor trained soldiers for victory, without faith. Columbus could not have crossed the ocean without faith. And we speak here, not of religious, but of natural faith. Cortes could not have conquered Mexico without faith. Park, and Ledyard, and Cooke, and Bruce could not have explored unknown countries without faith. The English Revolution, the French Revolution, the American Revolution, whatever faults or crimes may have accompanied any or all of them, could not have been accomplished without faith. The same may be said of all great civil and political movements. A mere sneerer, the man who sits in his easy chair, believing in nothing and laughing at every thing, could have done nothing of these things. No oceans are crossed by him; no nations are conquered; no boundless forests are subdued; no rude barbarism is tamed; no new civilization is planted and reared up, at the expense of toil and blood, in mighty triumph.

It is one of the favorable signs of the times, that the existence of this important element of our nature begins to be generally recognized. Philosophy, though lingering long, has at last come to the aid of religion. She endeavored to solve the problems of human nature, without admitting this principle; but found herself unable to do it. Men of literature, men of philosophic inquiry, unite in acknowledging, not merely the existence of faith, but its mighty influence, even when considered out of its religious relations. As men of observation and thought, they see clearly, that there are a multitude of facts in human history, both individual and national, which preclude altogether any satisfactory explanation, except on the ground of its existence and its great power. And these men, men whose testimony is weighty, and whose concurrence every good man would desire, begin to look, in consequence of the advance of their philosophy, with a more favorable eye on religion. They found the Bible filled with declarations in relation to faith, which they did not understand; declarations which they found no where else, and which they hesitated to receive. But it is now no longer a matter of surprise, that a principle should effect so much in religion, which is seen and acknowledged to be so powerful in nature.

— edited from The Life of Faith (1853) Part 1, Chapter 2.

Faith is the Wellspring of Literature

Faith is the basis, or rather is the source, the wellspring of whatever is most valuable in literature. Where there is no faith, it results unavoidably, that there is no true feeling, no genuine “emotionality,” no deep and abiding sympathy with whatever is true in morals, or beautiful in nature. In other words, a man without faith is a man, to a considerable degree at least, without true affection; one who looks upon nature and upon his fellow-men to trifle with them, and to sneer at them, and not to trust and to love them. Having no sympathy for others, he can command no sympathy for himself. The man without faith, therefore, in literature as well as in other things, is a man without abiding power; and we could almost say, that he is a man without any real power whatever, except, as in the case of Voltaire and others of his class, the power, which involves of course the faculty of a sharp external observation, of the mere artist, and the power of ridicule; neither of which either constitutes or implies the existence of those elements, which can command, for any length of time, the love and the homage of mankind. Such a man is no Homer, no Shakspeare, no Cervantes. He cannot with any justice be regarded as the possessor of that creative faculty, a faculty having its very life in belief, which can give birth to imaginary creations of men and nature, of thought and action; creations, which, in being true to life around and life within, are not the less real for being imaginary. He may understand perspective; he may be a connoisseur; he may be unexceptionable and complete in whatever is addressed to the outward eye, in whatever is comprehended under the term artistic; but his work, after all, will stand forth in the eyes of men just what it really is, a marble statue, well sculptured, well proportioned, and well in every other respect, except that the principle of life, the immortal spirit, is not there.

— edited from The Life of Faith (1853) Part 1, Chapter 2.

The Remembrance of a Godly Teacher

In all institutions [of learning]... there should be living teachers, men "full of the Holy Ghost," who should be able to explain and apply the principles which are found in the Bible.

In early life I had the privilege of being associated for a short time, in an institution, where it seemed to me that some of these views were happily illustrated. Studies always opened in the morning and closed at night with religious services. The first half hour of every morning, in particular, was devoted to the reading of the Scriptures, the explanatory and practical remarks of the worthy and learned instructor, and to prayer. And it was understood by all, whatever might be the state of their own minds, that this religious exercise was regarded by the teacher as one of preeminent importance. When he came before his pupils on this occasion, they did not doubt that he had first commended them to God in private; and that of all objects which he desired and had at heart, there was none so dear to him as their souls' salvation. Every movement was stilled; — every voice hushed; — every eye fixed. And whatever might be their creed or want of creed, their religious adhesions or aversions, such was their sympathy with his obvious sense of responsibility and his divine sincerity, that even the hearts of the infidel and the profane were cheerfully laid open before him; — so that with their own consent he was enabled, by means of his prayers and warnings, to write upon them, as it were, inscriptions for immortality. I was not a pupil in the seminary to which I refer, but an assistant teacher; and had a good opportunity to observe and to judge. My own heart never failed to be profoundly affected; — and, from what I have learned and known of his pupils since, scattered as they have been in all parts of the world, and engaged in various occupations, I have no doubt that God eminently blessed the faithful labors of this good man, and that he was permitted to realize in his instructions, to an extent not often witnessed, the beautiful union of the culture of the heart with that of the understanding.

Christ came into the world to redeem man to God; — in other words, to restore him to God by redemption; — that is to say, by the purchase of his own blood. The object is secured, and man is restored to God, whenever God becomes the in-dwelling, the universal, and permanent principle of his soul.  And the restoration of man involves the restoration of all that  pertains to man. The restoration of man is, at the same time,  the  restoration of the family and of civil society; the restoration of  art and literature. It implies the extinction of vice, the prevalence of virtue, the dignity of labor, the universality of education, and the perfection of social sympathy and intercourse. And no man is, or can be redeemed, in the truer and higher sense of the terms, without being, in his appropriate degree and place, a co-worker with God in all these respects.

— edited from A Treatise on Divine Union (1851) Part 7, Chapter 8.

Divine Guidance in the Account of Human History

Literature also will fail to arrive at and to sustain itself in its perfected life and beauty without the spirit of God in it.

Take, for instance, the single department of history, which is undoubtedly one of great importance and interest. The importance of history is seen, when we consider that the history of the deeds and sufferings of man is at the same time the history of the dealings of God with man. It details the conflicts of virtue and vice and anticipates, in the conclusion of its pages, the destruction of the one, and the final victory of the other. There is a close connection between human history and the coming of Christ in the world; — as the incidents in the history of all nations, previous to that event, seem to have been arranged in reference to it, and all subsequent history has been influenced by it. And, in this point view, many judicious persons have been disposed with much reason, to set a high value upon the work of  President  Edwards, entitled "The History of Redemption." The object of this interesting work is, to give an outline of the history of the human race, in connection with the history  of redemption; — uniting the two in such a  manner  as to show their reciprocal relations and influences. And the history is exceedingly valuable, not because it illustrates the idea of history in all respects, but because it so fully introduces an element, or point of view, which is generally left out.

As a general thing, history has limited itself to giving an account of national wars.  It has been so written, for she  most part, as to be a commemoration of deeds of violence, so that he, who kills the most and conquers the most, however deficient in civic and moral virtues, holds the prominent position, and is made the subject of undue panegyric. But history, in order to be a true record of the human race, should embrace not only war, but also civil and political events, and the progress of the arts and literature; — so that the man, who serves his country by peaceful labors and excellencies, may have his reward, as  well as the warrior.

A favorable change, however, has already taken place. The spirit of the Gospel is beginning to take effect. The rights, the happiness, the immortal interests of the masses of men are receiving a consideration which they have not received before. And history at last sees the wisdom of placing the man who has made improvements in some useful art, or has done some benevolent deed, on a footing at least with those who command armies. And so far as the historian, looking to God and receiving direction from that source, has an eye to the good of mankind and the claims and advancement of virtue, he is in union with God. And this is at the same time his highest honor, and the source of his highest power.

The doctrine of divine union applies to everything.

— edited from A Treatise on Divine Union Part 7, Chapter 8.

God's Role in all Arts and Labors

Believing, therefore, that the work of redemption and restoration extends to all things, and that no art or work of man can be carried to its highest and most beneficial results without God's presence, we proceed now to illustrate the union of God with man in the redemption and perfection of the arts and literature.

And, in doing this, we shall first refer briefly to those arts which, though very useful and necessary, are generally regarded as comparatively low in rank. Our view is, that the divine presence and aid are necessary in the development and application of all such arts, however humble they may be thought to be. The art of agriculture, the mechanic arts, the arts connected with domestic life, all of them not only admit, but require, the union of the divine with the human, in order to secure their perfection and their proper use. We do not hesitate to say, that the man who holds the plough, the man who lifts his arm of toil in the workshop, can do it usefully and happily, only so far as he does it in connection with God. The true doctrine is, — God in all things.  God made the earth; —  God sends the rains, that fertilize it. But this is not all. It is equally true, whenever and wherever the original harmony of things is readjusted, that God guides the hand that guides the plough, and smites in the hand that smites the anvil. And the laborer and the artisan are not in true union with God, until they have dispositions which will lead them to pray and to believe that this may be the case.

Redemption of the Arts and Literature

If God is man's great teacher... then, in his efforts in acquiring knowledge, he will be likely to go astray and to seek out hurtful ”inventions,” [Ecclesiastes 7: 29] so far as he does not accept a divine guidance. It is, therefore, not too much to say, that the Holy Ghost, the inward teacher sent down from heaven,  both ought to be, and that he is designed to be, the great master in art and literature. And it is worthy of notice, that heathen nations, who everywhere give evidence that they have some glimpses of the truth, agree in ascribing the early inventions in art, and the early works in poetry and music, either to a divine agency or to human agency aided by divine. According to  the mythology of the Greeks, it required the skill of Mercury to invent the lyre; — and there could neither be poetry nor music without the aid of Apollo and the muses. Accordingly, the great poets of the Greeks and Romans frequently begin their works by a distinct recognition of their dependence upon a higher power, who gave inspiration to their thoughts. And it is worthy of notice that Livy, in the commencement of his work on Roman history, (certainly in many of its attributes one of the most perfect and interesting works of that kind,) proposes to his readers, that they should imitate the custom of the poets, and commence their undertaking by supplicating the presence and aid of the gods.